Heather Horn at The Atlantic:
The Atlantic Wire likes to keep tabs on its beloved Atlantic 50. On Wednesday, Entertainment Weekly picked up the video trailer for an upcoming book, a thriller written by Glenn Beck (number seven on the list). Keith Stastkiewicz says the book, which will be released June 15, “is about twenty-something named Noah Gardner who finds himself in the midst of a massive fight to protect the country he loves from nefarious forces that threaten to corrupt it.” Points if you can get that from the video
Meredith Jessup at Townhall:
“The Overton Window” is set to be released June 15. Meanwhile, the Left is already bashing it, despite rave reviews from authors such as Vince Flynn (love him!), Brad Meltzer and Nelson DeMille.
PS–the poem featured in Beck’s trailer is this one by Rudyard Kipling, despite folks on the Left claiming that each “over-the-top-line” was written by Beck himself.
Richard Lawson at Gawker:
Crazy conspiracy-cruller Glenn Beck has a new novel, The Overton Window, coming out very soon. And now, because I guess this is what we do these days, there is a trailer. For a book. It’s just one long, scary quote.
The quote is from “The Gods of the Copybook Headings,” a wacky poem by Rudyard Kipling. It speaks of terrible things that happen after “social progress,” which Glenn “Walking Knish” Beck really hates. Mostly, though, it is about dog vomit. Yayyyy, dog vomit.
E.D. Kain at The League:
The odd poetry in the trailer is from Rudyard Kipling’s poem, The Gods of the Copybook Headings – a rather odd choice for Beck, but what do I know? Either way, pasting the last two stanzas a Kipling poem into a book trailer is certainly a bold move. I hope they make it into a film so that we can get the entire poem in there.
Ben Dimiero and Simon Maloy at Media Matters:
The opening lines of Glenn Beck’s yet-to-be-released novel, The Overton Window, read as follows: “Most people think about age and experience in terms of years, but it’s really only moments that define us.”
In a quirk of convenience, this line also describes the best way to deconstruct The Overton Window, a copy of which Media Matters obtained and read — nay, devoured — with great relish. As we slogged through its many plot holes, ridiculous narrative devices, and long-winded limited-government sermonizing passed off as dialogue, we singled out ten moments that define The Overton Window as the truly and remarkably awful novel that it is.
First, a quick summation of the plot, such as it is. The protagonist, Noah Gardner, works for an impossibly powerful public relations firm in Manhattan that has been the driving force behind pretty much every political and cultural movement of the 20th century. Their latest and grandest scheme is the culmination of a lengthy plot to change the United States into some sort of ill-defined progressive plutocracy, and the catalyst for this change is a nuclear explosion that will occur outside the home-state office of “the current U.S. Senate majority leader,” which happens to be at the same address as Harry Reid’s Las Vegas offices. The nuclear attack is to be blamed on the Founders Keepers, a Tea Party-like group — led by Noah’s love interest, Molly Ross — that is working to foil the plot.
1. Rule number one is: “Don’t tease the panther”
Noah and Molly find themselves in bed together early in the book after a harrowing experience at a Founders’ Keepers rally. They agree to sleep in bed together because Molly is too scared to sleep at home, but Molly insists that nothing sexual will take place. Noah agrees, on the condition that she “not do anything sexy.” She presses her cold feet against his legs, and Noah responds:
“Suit yourself, lady. I’m telling you right now, you made the rules, but you’re playing with fire here. I’ve got some rules, too, and rule number one is, don’t tease the panther.“
Dennis DiClaudio at Indecision Forever
It appears as though Glenn Beck is making the leap from bestselling author of paranoid political opinion to bestselling author of paranoid political fiction. That’s right, he’s about to release a new book Kevin Grisham-esque thriller called The Overton Window, after a political theory popular amongst libertarians about the shifting range of what is considered acceptable political policy. (You know how Glenn Beck likes to read big piles of prop books, right?)Obviously, this is hilarious news. And there is a 112 percent chance that I will be “reading” the audiobook version of this book for the same reason that I am “reading” the audiobook version of the Left Behind series. Because life is too short to not subject oneself to third-grade-reading-level unintentional self-satire. I am not made of stone, people.
However, a lot of people are justifiably making fun of this book for unjustifiable reasons. The just-released trailer for this book (Yep! A trailer for the book!) features the excerpt from Rudyard Kipling’s poem “The Gods of the Copybook Headings“…
As it will be in the future, it was at the birth of Man
There are only four things certain since Social Progress began.
That the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool’s bandaged finger goes wabbling back to the Fire;
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!
These verses — which, I’m assuming people think was written by Beck — are supposed proof of how crazy and, um, poemy the book is gonna be. As if there’s any fucking chance in the world that Glenn Beck is capable of writing anything even approaching the level of quality. Has anybody ever seen this person talk? If that poem is reprinted in the book, I guaran-fucking-tee it will be the stand-out section by about six orders of magnitude.
UPDATE: Steve Krakauer and Glynnis MacNicol at Mediaite
John J. Miller at The Corner
Jim Newell at Gawker