Melissa Bell at WaPo:
One oft-told tale of Pablo Picasso is that when presented with a bill at a bar, he’d whip off a sketch on a napkin, sign and date it, and the bill would be considered paid. The artist produced some 20,000 pieces of work in his long life, the Metropolitan Museum of Art told the Associated Press. And 271 of those pieces have just been discovered in a trunk at a retired French electrician’s home.
Jeff Neumann at Gawker:
A retired French electrician, Pierre Le Guennecsays he has “hundreds” of Picasso paintings, notebooks, lithographs and a watercolor believed to be worth around 60 million euros, which he claims Picasso gave him as a gift. Picasso’s son disagrees.
Kate Deimling at Art Info:
Including lithographs, paintings, drawings, and a Blue Period watercolor — none of which appears in the inventory of Picasso’s estate — the trove is valued at €60 million ($79 million), according to French paper Libération, which broke the story. Experts estimate the nine Cubist collages alone to be worth €40 million ($53 million). The 71-year-old electrician managed to have the works authenticated by the artist’s estate in September, but the estate subsequently sued for possession of stolen goods and the works were seized last month by the Office Central de Lutte contre le Trafic de Biens Culturels, the French art-trafficking squad.
The very notion of 271 new Picasso paintings is amazing. The man worked for Picasso in the 1970s and this could create a fascinating contest over credibility if has no written record. The absence of any prior disclosure certainly makes the claim somewhat suspicious. Such cases can become the ultimate jury question — with members looking at the practices of the artist. It is quite common for many artists to give away their works, even as payment for services. This number of paintings, however, would represent a lot of work or a lot of friendship. It is also striking that the paintings were not previously known to be missing.
Picasso died a few years later and was already an international superstar in the art field. This was not some starving painter trading paintings for baguettes. Moreover, it is hard to see how much of a friendship could have developed over the course of the installation of a security system. Of course, there is always the possibility that Picasso was simply eccentric and a bit daffy in his final years. Anyway it goes, it should make for an interesting tort or criminal case or both.
Jen Doll at Village Voice:
Aspiring screenwriters, take note. This is a plot goldmine.
Let the art ownership battle begin.